Pages

Tuesday, January 30, 2018

If Streets Could Talk

If streets could talk
They would tell a tale or two
The one about the dog with the broken foot
The one about the lovers locked in a family feud
The one about Raju the tea stall owner
And his family of four
If streets could talk
They'd tell us of tyre tracks and dreams
Of the people who walk them everyday
On their way to a destination unknown
If streets could talk
They'd lead us back home
Where we belong


The Bilge Master 

Tuesday, January 23, 2018

The Telephone

In an abandoned house
There sits a telephone
And dot at nine it gets a call
Its bell peals and peals
With no one there to answer
Like a malignant cancer
The bell eats up the silence
One bite at a time
While on the other end, she stands
And prays for an answer
Which never comes
And so the stage is set
For an incomplete love story
And therefore the telephone
Rings on and on and on


The Bilge Master

Sunday, January 14, 2018

An Unfinished Tale

Stains like wildfire spread on the white A4
That was given to me to express something
But at some point the marriage
Between blue ink and white cream wove
Divorced
And thereby hangs an unfinished tale


The Bilge Master

Saturday, January 13, 2018

The Man Who Made God Dance

Music is more than just notes on instruments and voices heard across microphones. It is a way of release. Music can speak directly to the soul and put you on cloud 9 without even trying too hard. There is a legend that the great King Akbar's musician Tansen once sang the raaga Deepak and lit a lamp. People have been heard of who brought rain down on the scorched and barren earth using music.
 This is a story about music- Indian classical music to be precise and the raaga Todi to be exact.

Back when tigers used to smoke, there was a guru and his pupil. From a very young age this pupil had been learning with his guru. He first learnt the basics- the sargam and then moved on to raagas. This art form demanded a lot from a person. Long hours of practice were a must and often, people in this trade used to play till their fingers bled. People had been known to miss meals and practice, such was the dedication to their art. But then again, all art demands a certain amount of tenacity and why should one of the oldest art forms  be any different?

On the day our story begins, the guru asked  his pupil to render the raaga Todi. The pupil begins the first part called the alap. The guru doesn't speak. He listens. By the time the pupil has reached the end of the final part, the guru has a strange look on his face. He then instructs his pupil to do exactly what he says.

"You must go home, take a bath and put on a clean dhoti. Then, keep a round vessel filled with water in the centre of the room and take up the tanpura. Start playing Todi, exactly like you played it here. However, once you start playing, do not stop till the raaga is complete."

The pupil nods once and returns to his home. He places the tanpura in the corner of the room where it stands and then takes a bath. He puts on a clean dhoti and takes a round vessel. He fills this vessel with water and places it in the centre of the room. The water is absolutely still. He then takes the tanpura from the corner.

The pupil sits on the floor in front of the vessel and starts the alap of the raaga. After a few minutes of playing, he notices that the water in the vessel is moving. Unable to believe his eyes, he almost stops playing. He remembers his guru's last instruction however and goes on playing.

As he plays, the water starts to move in rhythm to the music. It is almost as if someone is dancing to the tune of the raaga. Unable to understand what is happening and yet too scared to stop playing, the pupil silently prays. After a long time, the raaga comes to an end. He then notices that the water slowly stops moving and becomes absolutely still again.

The next morning, the pupil goes back to his guru. HIs guru asks, 

"Did you do as I instructed?"

"Yes I did!", said the pupil and he recounts the entire incident that happened.

Then, his guru smiles and asks, "Did you understand what was happening?"

"No, guruji I did not. I was scared but you had said to not stop playing until the raaga was complete, so I did what you said. But, I do not understand what happened."

"Yesterday, your audience was God himself", said the guru. "He came down from the heavens and danced to your music. You can never play Todi ever again."

Music has power, as this story proves. Sometimes, miracles can be wrought from playing an instrument. Music is joy, it is sorrow, it is peace and it is turmoil. But music is also transcendental. It is just a pulse capable of wonders!


The Bilge Master

Thursday, January 4, 2018

Journey

Very often I find myself
Wandering long and lonely roads
Armed with a broken compass
And a badly drawn map
I plod on
Arriving at a crossroads
I wonder which way to go
On my left ebony
On my right ivory
And the middle ground
Where I stand
Sometimes alone
Sometimes in the company of friends
Like in a quiet railway station
We measure our lives
Spoon by spoon
As we walk down this path
Which we have chosen
Who knows what lies in the end?
Who knows if there really is an end?
This is a journey we have embarked on
Without a destination in mind
But wherever we go, we are not alone


The Bilge Master