Thursday, April 29, 2021

A House Full of Stories Ep. 17: Misery by Anton Chekov

 Misery by Anton Chekov, a story I came across in a coursebook one of my mother's students had and a story I fell in love with and wondered why we weren't studying it in our English course. I have told it here for you and I hope you enjoy it! 

The Bilge Master



Monday, April 12, 2021

A House Full of Stories Ep. 16: The King's Jester by "Kabiguru" Rabindranath Thakur

 This week's episode features The King's Jester by Rabindranath Thakur, which I have read out from an English translation of the anthology Lipika (translated by Joe Winter), which I borrowed from the exhaustive library of Sreeja Mitra, my dear friend.

Enjoy! 


The Bilge Master

 

Monday, April 5, 2021

A House Full of Stories Ep. 15: The First Miracle by Jeffrey Archer

 Jeffrey Archer is an author I have had the pleasure of meeting very briefly. I wanted to do a Jesus themed story since it's Easter. I hope you enjoy this tale! It's called The First Miracle. This is also a shout out to my dear friend Sreeja Mitra, whose birthday it is today.


The Bilge Master


Friday, April 2, 2021

A Small Critique of Rurouni Kenshin: Wandering Samurai (Samurai X)

 

DISCLAIMER: Contains spoilers for a few episodes of Rurouni Kenshin: Wandering Samurai and Rurouni Kenshin: Legend of Tokyo, the anime

 

I first met Battousai the Manslayer when I was 12 years old and I was watching TV at my grandmother’s house. Right from the get go, I was pulled into the story and only recently did I revisit it with the mature brain of an adult and needless to say, the anime stirred something in me which prompts me to write a few lines about it.

The story revolves around the wandering samurai Kenshin Himura who was an Imperialist assassin in the revolution that preceded the Meiji era of peace in Japan and such were his exploits on the battlefield that he earned himself the nom-de-plume of Battousai the Manslayer. However, once the revolution ended, he sought to lay aside the name Battousai and live a life of peace. To this end he used a reverse blade sword or a Sakaboto and he became a wanderer, protecting people from harm. It is in this way that he met Kaoru Kamiya who ran a dojo which taught the Kamiya Kashin style of swordsmanship that also focused on protecting people with the sword as opposed to using the sword to kill.

Kenshin meets a few other characters as he walks on such as the fighter for hire Sanouske and the child samurai Yahiko as well as Megumi, the last surviving daughter of a family of distinguished doctors. The one thing that struck me about Kenshin’s companions is that they never called him Battousai or Manslayer and that is the first lesson the anime taught me: True friends will not care about your past.

Kenshin’s Battousai persona first comes awake in his fight with Jinei where Jinei paralyses Kaoru’s lungs and Kenshin is forced to fight him and nearly kills him. He breaks Jinei’s elbow and is about to deliver the killing blow when Kaoru breaks free of the enchantment and stops him. The danger having passed, Kenshin assumes his normal persona and rushes to Kaoru’s aid. However, we get a glimpse of just how deadly Battousai was as a swordsman and we realize that he earned that nickname through spilling blood indiscriminately.

I was struck with the depth of the protagonist Kenshin Himura. The two sides of his persona were so different, that it seemed as if the battle rage changed him totally. However, at the same time, I believed that Kenshin and the Battousai were the same person. It was not ludicrous. This got me thinking about the fact that people are not black and white and they are but shades of grey. Inside each of us is a dark side and a light side- a feral wolf and a peaceful one and it is up to us which wolf we feed. This holds true for Kenshin as well.

The Battousai persona rises in Kenshin for the second time when Hajime Saito comes to the dojo to fight him and find out if he has grown soft. Kenshin fought on the same battlefield as Saito and therefore is forced to go all out and thus the Battousai comes alive again. This time the darkness is a little blacker, the wood a little denser, the fight even more intense and at one point, I thought Kenshin was at the point of no return. However the intervention of the police stops Kenshin from staying in the Battousai persona. It is then that we first hear of Makoto Shishio.




Makoto Shishio, like Kenshin was a fighter in the revolution. However, he could not bury the manslayer persona and wants to take over Japan and mould it in his image. This is why he must be stopped and it is up to Kenshin to do so because Battousai is needed once again. The charm of this argument did not miss me- use a manslayer to kill a manslayer. Jinei’s last words to Kenshin before committing hara-kiri were “Once a manslayer, always a manslayer” after all.

Kenshin accepts the responsibility of stopping Shishio and to that end he goes back to his master to learn the final technique of the Hiten Mitsurugi style of swordsmanship- the Amakakeru Ryu No Hirameki. At first, Kenshin’s master refuses to teach him, but relents and trains him. For one final moment the Battousai persona awakens as Kenshin tells his master that he does not fear death, if that is what will take for him to learn the Amakakeru Ryu No Hirameki. To this his master’s reply is to sheath his sword and say that with that attitude he cannot learn the technique at all. His master gives him one night to introspect and find out what he lacks and Kenshin uses this chance- his ultimate at redemption to vanquish Battousai the Manslayer once and for all.

Then as it is with all good vs evil stories, Shishio and Kenshin duel and Kenshin wins.

What I took away from this anime was that sometimes we need to face our past and learn from our mistakes in order to become a better person. We need to face the darkness inside us and make the black parts of our personas a part of us. We also need to forgive ourselves for crimes we may have committed and we need to move ahead from the shadows. Kenshin Himura and Battousai resided in the same man. In the end the man chose to be Kenshin Himura. Was it easy? Was it hard? Is Kenshin evil? What makes a man evil? What makes a man good? Do actions really speak louder than words? What qualities redeem a man? And when life gives you a second chance, what do you do with it? Are you Battousai or are you Kenshin Himura?



The Bilge Master